The inevitable comes along ProImpro seminar at the Institut für Jazz und Improvisierte Musik of the Anton Bruckner Privatuniversität 10-12.03.2026 The inevitable comes along This piece emerged within the framework of the ProImpro seminar curated and organized by Martin Stepanik…
PARTA emerged in Vienna from an encounter that, both stylistically and biographicaly, seemed unlikely from the outset. Alex Grimm, Wenzel Kolar, and Gustavo Mendez-Liska share a city, but not an origin, a method, or a visual language. Rather than pursuing…
Action, Space and Geometry. This performative project explores the intersection between urban and private space through a live painting action. Through an expanded painting performance and the use of multimedia tools, artist and audience share the same creative process, generating…
The work that is inhabited, the art that speaks Vienna, 08.2025 – Obra Parlante is not to be contemplated: it is to be traversed. It is an experience built in movement, a space where painting expands, music unfolds, and animation…
© Juan Muñoz, creator of MUNDO REDONDO Planet earth – our world – has specific and finite conditions. But our infinite thinking and creativity has distanced us from recognising ourselves as an indivisible part of this – our unique habitat…
The Unnameable Primordial Simplicity ORIENTATE IN THE INFINITE The graphic works of Gustavo Mendez-Liska provide insight into the deep-seated need within us to divide and reassemble surfaces, or much more generally, what we can experience. From this comes understanding: first…
House of LudgoNyköping, Sweden In the landscape of Nyköping, House of LUDGO stands as an architectural body traversed by its industrial memory. Originally conceived as a flour mill, the building was structured according to a precise functional logic: the need…
The Tectonic experiences and the experience of the tectonics were thought for this room, the Laboratory of Analytical Chemistry. The exhibition is constructed horizontally and vertically creating a movement that suggests tensions on the surface of the laboratory floor with…
Gates of Light – Monuments of the Invisible The fugue as an element of refuge, hole, emptiness, escape, hidden wall, green border,I try to make the contours visible to keep the balance, as a gestalt, foreigner, stranger… imitating what passes…
In the work it is not enough just to demonstrate through cut-outs, superimpositions, lines and black masses that invade the pictorial space, but we can also feel, visualise, penetrate this world of plots and locks that Gustavo presents us with.